Tag Archives: books set in Canada

Giddy for the Giller #3: 419 by Will Ferguson

Alright- here’s the first Giddy for the Giller confession:

I did NOT finish this one, and after 4 overdue days at my library, I was disheartened and GAVE UP. It is a bit discouraging because this one is “favoured” to win the grand prize.  Hmmmm… Well, you win some an you lose some (plots that is!)

Dear Mr. Ferguson, I’ve not previously heard of you before. You aren’t really in my genre. So, maybe my opinion doesn’t matter. In my defense, I consider myself a very well rounded reader who enjoys the odd thriller, particularly ones about international issues.  Something about your book made me put it down, unable to finish it.

419 is about global consequences and the thin way in which survival loops together exploitation. A retired school teacher in Calgary commits suicide. His family soon learns that he was suffering financial ruin at the hands of a Nigerian 419 internet scam. His daughter, Laura, wants retribution for his death. The Canadian police have no ability to enact justice in Nigeria. Laura travels to Nigeria herself, putting herself in great danger because the 419 scammers are linked to crime lords who are accountable to no one.

One narrative follows Laura, the teacher’s daughter. Another narrative follows Winston, the man in Nigeria who makes a living frauding people of money. There is also a narrative about a pregnant African woman that I don’t know much about, but she is starving and traveling through Africa and looking for someone. That’s as far as I got.

The premise of 419 was interesting and the characters were decent. Dialogue was on par with any decent author. But the 340 pages of 419 were not compelling enough to keep reading. There was this lengthy diatribe about the “Shell Man”  and the oil exploitation that “white man” has imposed on the Nigerians in recent history.

As legitimate as the story of the death of a culture, and the exploitation of a vulnerable people, these chapters did not seem credible. Or perhaps they seemed to simple. But I found it bulky and boring.

Not every book is for me, and someone else might like this. It may make an interesting gift idea for a person who reads lots of National Geographic (ie my Dad).  It almost reads like investigative journalism, or maybe like a Robert Ludlum novel, but with less suspense.

The long and short of this is, it’s been an interesting Giller shortlist. This one was surprising for me.
Cheers!

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Giddy for the Giller #2:The Imposter Bride by Nancy Richler

The Imposter Bride is a decent read.

Ruth, the main character, is a Jewish woman growing up in Montreal in the 50s.  Ruth was abandoned by her mother as a newborn, leaving her husband and daughter and a mystery. Her mother immigrated from Russia right after the war, and leaves a past there that is hard for Ruth to reconcile. Identity seems irrelevant, and family ties loose.

Ruth is loved by her family and community, but spends her “growing up” years trying to let the people who loved and raised her, fill the void that was left by her mother.

The message of this book is compelling, especially about the immigrants after WWII who were missing people and their former lives. Immigrants coming into Canada were struggling to carry on and rebuild. I immediately pondered the relevance of a society built up on these issues. In the late 1940s, and during the 1950s, Canada received 1.5 million immigrants from Europe.  Among these numbers were all four of my grandparents.

The characters were a bit flat. I enjoyed the flashbacks in the story about Europe, but not the 1990s Montreal stuff because it felt forced and cliched. The interest for me in the story was the Jewish immigrants fleeing to Canada, or a place where they were meant to settle and rebuild halved lives.

There were a few circumstantial and non-relevant things that struck me as weird about this book: one, that it was set in Montreal (again, so was Inside by Alix Ohlin); also, Nancy Richler writes about Montreal, and so did Mordecai Richler, maybe they are related.

But the story wasn’t profound or new. It felt like a novel that could have been published thirty years ago. It detailed life in an older style of writing. One where the reader sees the character grow up and become someone. These are traditional Canadian novels, but I still finished it and felt enriched by it.

Cheers!

The Journey of Miranda Hill

*please note, this piece was originally published in November 2011’s urbanicity.

 


Writer Miranda Hill met with me in one of my favourite, unpretentious coffee shops. She leans into the dining room chair, comfortable amongst other regulars and baristas who know exactly how she likes her coffee.

Hill seems like she belongs here in this coffee shop. The community of Westdale feels like hers as well, a place where she and her family have lived for nearly three years. She has my attention; Hill is as riveting as her writing. She won the respected Writers’ Trust/McClelland & Stewart Journey Prize on November 1st for her short story and first publication, Petitions to Saint Chronic. The award is given to a new author to distinguish an impressive short story, putting Hill in the same ranks as some very gifted and renowned Canadian authors, including Yann Martel, writer of Life of Pi.

We can claim this artist as our own. Hill feels supported in Hamilton, connected to a tight circle of local writers who attend each other’s book openings. The Hamilton writers are a small enough community that they can be friends. I was pleased to hear of authors living among us, chronicling our city into stories.

Petitions to Saint Chronic was written while Hill was completing her Optional Residency at UBC’s Master’s of Fine Arts program. It is about an unnamed woman and two companions; all three are drawn to the desperation of an attempted suicide. The nearly-dead man, Gibson, is broken and comatose after falling twenty-four stories. The three individuals wait, each with their own reasons for wanting Gibson to wake up. Micheline wants to help Gibson turn his life around and make him successful. Carlos wants to give Gibson the gift of God’s love. The unnamed woman is broken herself and likes Gibson just as hopeless as he is. The story explores both how much pain the woman can take before she changes her circumstances, and ultimately what inspires her to do so.

Hill is busy as a mother, wife, and writer, but she also runs a fascinating organization called Project Bookmark Canada. The organization has erected ten plaques (Bookmarks) in locations around Ontario quoting passages from Canadian literature. The text on the plaque must relate to the exact location mentioned in the book or poem.

Hamilton was recently graced with a Bookmark of John Terpstra’s poem “Giants” at Sam Lawrence Park. Terpstra’s poem playfully describes giants sitting on the edge of the escarpment. The Bookmark allows the reader to enjoy the poem while standing on the escarpment, connecting literature with our physical geography.

Project Bookmark Canada’s hope is that with funding and time, they will have Bookmarks all across the country, emphasizing how important reading is to our everyday lives.

The idea of the Bookmarks came to her while she was living in the Distillery District in Toronto, walking with her young children around the streets of her neighbourhood. At times, she found herself reading passages in books that would mention the intersections she passed every day. As Hill said in a recent article, she felt like she stepped into the stories she was reading. Her relationship with literary texts was changed as she realized how connected literature was with her physical reality.

I encourage you to pick up a copy of Petitions to Saint Chronic. It can be found in The Journey Prize Stories 23, an anthology of the finalists for the prize. Read this story and feel proud that Miranda Hill lives and writes in our community. Her first collection of short stories is coming out next fall.

ELISHA STAM is a stay at home progeny wrangler, impulsive writer, and ravenous reader. She lives downtown Hamilton. You can read more of her reviews at elishastam.wordpress.com.

Touch, by Alexi Zentner (or WHY I READ)

Touch (and why I read)

I love to read. As an adolescent, I read the entire young adult section at my tiny municipal library. This fervor has not lessened with age. Why do I like to read so much?

There are easy answers to this question.  Maybe I’m bored (or boring!) Or, reading takes me to places I would never otherwise go.  What is it about holding a book? I could watch a movie and get the same entertainment and artistic introspection.

I read because I want connection.

A book tells me what someone is thinking. Another person’s spirit connects with me and expands my mind. If the book is gratifying, it can give words and comprehension to feelings I didn’t even know I was dealing with. Thoughts sit in the back of my mind waiting for words to pull them out. It’s a similar feeling to when you learn a new word for the first time; afterward, the word will pop up everywhere.

I don’t know what the meaning of life is, but I have some small notions. When I read, these ideas seem bigger and clearer.  Books help me see more of the world; I can hear another person’s thoughts and then I understand life more acutely.

I’ve been hovering over the significance of religion in society, considering its necessities and implications. As luck would have it, last month I picked up a book called Touch by Alexi Zentner (Knopf Canada, 2011).  The book, set in the gold rush town Sawgamet, in interior BC, explores the connection between three generations of a family. Starting with the first settlers in the 19th Century, Zentner’s Touch explores the way belief and faith change the memories we use to weave our stories together.

Sawgamet is a world of ghosts and ancient monsters living in the woods and deep crevices of the rivers and lakes. Interior British Columbia in the 1800s was a world untouched and ancient. To make sense of this harsh world, legends and folklore abounded.  As more settlers came, they pushed the woods away with each cut tree. As the town grew, the forests become less dark and frightening. The wild became less wild, the cold less intense, starvation a rarer threat.  Thus, the stories people use to fight these fears, less important.

Touch, Alexi Zentner

As I age, certain fears I had are less encompassing. As a result, the beliefs I built my existence on are refining. I am left to wonder what holds me to this world I live in. What sort of person am I when the things I’ve built my life around settle down and become as see-through as the apparitions in the deep Sawgamet woods?

I don’t know the answer to this. But I’m glad that someone else is wondering these things too. Even if I don’t find answers to questions of my purpose, at the very least I’ve read some good literature.

In the spirit of connections between authors and their readers, I’m very excited for this year’s Hamilton GritLit Festival, a weekend event with readings and workshops starting on Wednesday, March 28th, 2012.

Alexi Zentner will be a guest reader on Friday evening (March 30th, 2012). The literary-minded in the city can find more information about GritLit Festival on their website at http://www.gritlit.ca.

Bride of New France by Suzanne Desrochers

Who?

  • Women
  • Fans of the Midwife of Venice (this is a MUCH better book)
  • Canadian History fans (are there any out there?)

The Book:book cover of bride of new france

Bride of New France by Suzanne Desrochers  is about the “filles du roi” or King’s daughters. In the late 1600 the King of France paid for young women to move to New France to help populate the settlements.  These women were usually orphans from the poor houses of Paris.  The women married the ex-soldiers or officers already settled in New France. Prior to the King’s efforts these men seemed more interested in reproducing half-native half-french children.

Most of the women who came as a Filles du Roi had no experience in farming or sustenance living. It was a lonely life, one that would need a great deal of resolve and bravery to survive. Desrochers imagines this world through the eyes of the young woman Laure. Her spunk get’s her sent from Paris overseas on a six-week journey to the great wilderness of Canada.

Laure shows us the new world in its beauty and strangeness. She marries a man who seems decent enough, but she is left for most months of the year along while he traps animals and gallivants around with the native women.

Laure meets a young Iroquoian man. He is rough and crass, but eventually they fall in love and have a clandestine affair. She becomes pregnant as a result. I will not spoil anymore details, but she learns to comes to term with the life she must live in the new world. Laure is also able to see the opportunities available to her as a woman living in New France.

Read It?

I picked up this book for a few reasons.  I’ve always been a bit of a history buff and this book, set in the late 1600s, was a historical fiction fix.  It’s sometimes difficult to find Canadian historical fiction maybe because of an inferiority complex about our proud past.

I also have a soft spot for début books (which this is), as I enjoy new voices in Canadian Literature.  This fiction started out as a Master Thesis for Desrochers at York University. It is well researched and fully conceivable as Desrochers brings this time in history to life.

But I cannot wholly recommend this one.  I enjoyed the story enough. The plot held my attention because of its setting, but Desrochers’s introspection came through too strongly in the character Laure.  It really felt forced and I kept telling Desrochers (telepathically) the old writers motto “show don’t say.”

Laure is flat, unbelievable and too neutral or reserved to cling to.  However, if you enjoyed the Midwife of Venice, you may enjoy this one and it’s much more historically sound.

Cheers!

 

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Practical Jean, by Trevor Cole

People who Enjoy:

  • ironic humour
  • thought-provoking theme-oriented literature

The Book:

The least I can say about Practical Jean by Trevor Cole, is that it is a memorable read.  Last month, I saw Trevor Cole speak at a writer’s workshop and his description of his work intrigued me.

Practical Jean is a novel about Jean, a middle-aged woman who has just lost her mother to a painful and traumatic death.  Her mother also expected Jean to nurse and care for her as she died (for three long months).  This experience pushed, an otherwise only slightly quirky woman into a psychopath.

After the funeral, Jean has an epiphany. It develops from the decay she saw in her mother, and a memory of when she was six. Her mother was a successful veterinarian, and one day she euthanized a litter of deformed puppies. Six year old Jean, secretly watches her drown the puppies, one by one, in a bucket, and then disposes of the bodies in a garbage can. Jean, feeling like the puppies would be lonely without their mother, systematically, and nobly, drowns her favourite stuffed animals in the same bucket. She promptly throws their dead, stuff animal bodies out in the same garbage can.

The epiphany further develops while having a few drinks with her closest friends.  Jean decides she wants to save them from dying of old age in great pain. Her unwell, but entirely justified mind, decides to kill them all, even though should would miss her friends terribly.

The rest of the book is her plan to execute this.

Why?

Cole’s book is darkly interesting. The book is bizarre and unique, with tongue in cheek narration, and memorable character development.  The themes of the book are foreboding, yet it is not dark or horrific. I was left contemplating the value our society has placed on life, and the way we respect and treat death.

Trevor Cole received a lot of acclaim for the book, Norman Bray in the Performance of His Life, this book seemed to slip by a bit more unnoticed, but I think it is still worth the read. Another notable fact about Cole is that he runs a website called Authors Aloud, which features various Canadian authors reading pieces of their own work. It’s worth a few clicks.

Cheers!
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